01 20 2022: Documentation of Who is it that I am writing for? documentation up on Agent d’Écarts

01 10 2022: Going to doing some cool stuff with Irruptive Chora and some other nice ppl in the coming year. Stay tuned 😉

05 10 2021: Who is it that I am writing for? documentation up on Kuba Paris and Curate LA.

12 09 2021: Psyched to be a part of this lovely exhibition, Who is it that I am writing for? at Certain Fallacies in Los Angeles <3

01 15 2021: Nice little interview conducted by digital anthropologist and all ’round super brain Wade Wallerstein about Digital&Dead for HREF ZINE

07 17 2020: Nice write up about screensaver watching you by Lara Chapman up on Running Dog.

05 01 2020: super relieved to get an Arts Council England, Emergency Response Funding. <3 srsly, soooooo relieved <3

04 01 2020: Digital&Dead will be part of screensaver watching you put togther by the lovely folks at offsiteprojects <3

12 01 2019: ‘beneath the beach, seamless paving stones’ featured on OFluxo, Tzvetnik

11 01 2019: Part of this group show ‘beneath the beach, seamless paving stones’, a project by Rhizome Parking Garage Int’l (Ian Bruner & Noah Travis Phillips),  up now as part of the Wrong Biennial. (look for the airplane 😉 )

08 26 2019: have some stuff coming up in the Wrong Biennial that I’m kinda psyched abt – will update with details <3

08 24 2019: I’ll be developing a new expanded film/augmented reality project as part of the London Creative Network (LCN) artist development program at SPACE in 2019/2020. Drawing from research undertaken during my DYCP grant project from Arts Council England, this work will examine archeology/excavation as a process of co-authorship, Brexit, multi-narrative hypertexts v modernist narratives, the relationship btwn monotheism n’ fake-news, and chaos magic ( amongst other things ) Yeah, this gonna be fun <3 [LCN is brought-2-U by the lovely folks at the European Regional Development Fund]

06 01 2019: my installation, Lab_03, is part of The Immeasurable, and exhibition co-curated by Linda Persson & Hannah Conroy at Thames-Side Studios Gallery from 6-28 July.

05 228 2019: Digital&Dead will present Death Beta: a workshop at Space Art and Tech, with Dr. Elaine Kasket, on July 11, 6:30-8:30pm.

05 22 2019: My tanks can be seen within the burbling ecosystem of Swamp Protocol, at Fold(lab) as part of Up is a Relative Concept on May 23rd.

05 10 2019: More DismalSwamp’s Swamp Protocol, documentation up on Earth Sciences

05 05 2019: An early version of Tank is included as part of Most DismalSwamp’s Swamp Protocol, video and documentation up on Ofluxo.net 

21 04 2019: Will spend Jan/Feb 2020 as an artist-in-residence with the folks at the NIDA Art Colony <3

20 04 2019: Some of my work in Most DismalSwamp’s  Swamp Protocol  over on AQNB

19 04 2019: Pics from Most DismalSwamp’s  Swamp Protocol is up on Tzvetnik

01 04 2019: Digital&Dead will be part of Life and Beyond curated by Kristina Pulejkova @ Lewisham Art House from 7 May 2019 – 12 May 2019.

01 04 2019: Digital&Dead will be part of the Focus – Next: Outcome Showcase at SPACE (London/UK), running 5-12 April, with private view on Thursday April 4th from 6:00-9:00 pm. Participating artists-in residence include Clarice Hilton, Shinji Toya & Murad Khan, Chris Wood, Josefina Nelimarkka, Stine Deja, Sarah Derat & Rachel McRae & Hannah Silva.

25 02 2019: Most Dismal Swamp is launching Swamp Protocol at Arebyte Gallery (London/UK) on Thursday, March 28, 2019 at 6 PM – 9 PM. The project includes myself, David Atlas, Iain Ball, Lara Joy Evans, Samuel Capps, Holly Childs, Lea Collet and Marios Stamatis, core.pan, Porpentine Charity Heartscape, Marija Bozinovska Jones with MBJ Wetware, Will Kendrick, Benoit Ménard, Sarah Montet, Anni Nöps, Eva Papamargariti, Jakob Kudsk Steensen, Viktor Timofeev, Kyle Zeto Thorne.

Swamp Protocol is a protean compression of data by 18 artists working across digital media, installation, performance, machine learning, music, film and poetry. At arebyte Gallery, it is remixed and presented as a site-specific film installation including a spatial 8-channel sound work by producer and genre fluid DJ Anni Nöps.

It is the first project by Most Dismal Swamp, an experimental art platform and record label simulating and exploring a contemporary ecology that has come to be defined by the hallucinatory entanglement of multiple logics, systems, temporalities, and realities: a mixed-reality paradigm; a pervasive, horizonless swampscape.

01 02 2019: Excited to be a part of While the Summit Reverses at Obsidian Coast (Bradford-upon-Avon/UK) <3 Organized by the brilliant  Nella Aarne and Sam Smith, this exhibition also includes work by Louis Mason and Nova Milne.

16 01 2019: Picked up a Developing Your Creative Practice grant from Arts Council England – Will be spend the next few months developing some new moving image works

12 15 2018: Gonna be part of this project in 2019 – Most Dismal Swamp, curated by Dane Sutherland at at Arebyte Gallery and Gossamer Fog (London, UK).

11 10 2018: Will be speaking at University College London’s Multimedia Anthropology Lab as part of Digital&Dead on Nov 30th. Big Thanks to the lovely Wade Wallerstein and the rest of the MAL crew for inviting us <3

08 09 2018: Digital&Dead will be a part of the winter portion of the SPACE Art + Technology artist residency, Focus – Next! We’ll be researching digital legacy, Artificial Intelligence, memory and mourning. Keep an eye on here for more info on what we get up to <3

06 21 2018: Big thanks to the Canada Council for the Arts for supporting my residency at SNEHTA in Athens <3

06 21 2018: Picked up STEP travel grant for the In-ruins Residency. This funding is provided by the European Cultural Foundation with the support of Compagnia di San Paolo.

06 11 2018: Digital&Dead (Sarah Derat and myself) have been selected for the In-ruins Residency & scholarship, taking place in Aug/Sept at the Archaeological Park of Scolacium (Borgia, IT). In-ruins Residency is an international art research project looking at the dynamics of archaeology in relation to digital technology. The residency’s aim is to create spaces of encounter between archaeological landscapes and contemporary art practices. This scholarship has kindly been donated by the Armonie d’Arte Foundation.

05 08 2018: Doing a lil open-studio/studio-show/bbq thing with my buds at Carvall Showroom in London. Come for the smoked meats, stay for the lulz

05 01 2018: Gonna be part of SNEHTA‘s upcoming Fokionos residency, in Athens, during June & July

04 24 2018: Documentation of I’m sorry, I didn’t quite catch that, including Digital&Dead are up on AQNB rite abt now <3

04 12 2018: Digital&Dead and I’m sorry, I didn’t quite catch that documentation up on earth sciences <3

04 o4 2018: Pics of Digital&Dead from the I’m sorry, I didn’t quite catch that group exhibition are up on Tzvetnik.com <3

02 18 2018: Digital&Dead will be part of I’m sorry, I didn’t quite catch that, a group show organized by isthisit? at Arebyte

02 18 2018: Digital&Dead will be in the upcoming issue of isthisit? followed by an IRL exhibition (check back for info later <3 )

01 05 2018: Doing a talk abt digital legacy, mortality and memory with Sarah Derat at South London Gallery (SLG) on Wed, Feb 21st, 2018. We’ll be doing a demo of Digitatl&Dead and screening a selection of Oreet Ashery‘s Revisiting Genesis. The event is free – to book email mail@southlondongallery.org or call 020 7703 6120. The box office is open 11am-6pm, Tuesday-Sunday and 11am-9pm on Wednesdays.

11 15 2017:  A special edition of Digital&Dead, the Augmented Reality project that I made with Sarah Derat, has been commissioned for this years NADA art fair in Miami. For more info on the project over at Digital&Dead.com

11 07 2017: Just received a Research and Creation Grant from the Canada Council for the Arts to make an electrolysis tank-and-filtration lab/studio/system  for cleaning archeological finds